2022-07-18 17:01:00
No.10 "God of gamblers"
"God of gamblers" is Wang Jing's most praiseworthy work. It not only won the box office champion of Hong Kong films that year, but also broke the record of Hong Kong film box office (later, "God of gamblers 2" broke the record of Hong Kong film box office again). It ushered in the era of gambling in Hong Kong, and also made fans have another screen hero in their minds - the God of gamblers GAOJIN. Its emergence has made Hong Kong films have a new type, which has influenced the later "gambler" and "gambler" series. I think many people will not understand why I put "God of gamblers" into the top ten classic films. In fact, I put it in not only because of its classics, but also because of my recognition of Wang Jing's films in the 1980s and 1990s. Let me ask who among the post-80s and post-90s did not grow up watching Wang Jing's films?
No.9 prison situation
It has been 20 years since Lin Lingdong filmed prison in 1987. The charm of a good film is that it has nothing to do with the passing of time. Watching this film today is still a passionate work. It is a few years earlier than the famous black prison movie "Shawshank Redemption", and it is more classic than "Shawshank Redemption". It represents the heyday of Hong Kong films. It is no exaggeration to say that this film about the black prison can at least be put into the world's top 10 movies with the theme of the same type of prison, and it is definitely the best work in the Chinese film industry.
No.8 Infernal Affairs
In 2002, Infernal Affairs was born. Infernal Affairs is the best work of Hong Kong film in the past decade. It is known as the rescue work of Hong Kong film. It has gathered four winners of the Hong Kong Film Awards. Apart from the film itself, these four winners are enough to make this film a classic, not to mention Liu Weiqiang. Infernal Affairs has therefore become an unrepeatable classic, winning seven awards at the 22nd Hong Kong Film Awards, including best film, best director, best actor and best supporting actor. This film also made director Liu Weiqiang one of the most popular directors in Hong Kong, and won Tony Leung the fifth Golden Award in his life. The influence of Infernal Affairs in the mainland and even in Asia is unprecedented. He injected a powerful dose into the depressed Hong Kong films.
No.7 Huang Feihong
"Huang Feihong" successfully portrayed Huang Feihong, a folk figure in Guangdong, as a very popular mythical hero, and also created the impression of boxing and foot Kung Fu. The ancient costume martial arts films finally fully recovered. In addition, in the "Huang Feihong" series, Huang Feihong subverts the past hero image of Huang Feihong and adds topics such as mother and son, love, etc. the Huang Feihong presented is no longer just a hero under the simple patriarchal system, but a man with conflict, contradiction and weakness. The martial arts emperor Jet Li vividly performed Huang Feihong's great master style, which also marked the establishment of Jet Li's status as a martial arts emperor. Tsui Hark also won the best director award at the Hong Kong Film Awards for "Huang Feihong".
No.6 gunfire
"Gunfire" I personally think is the best work of Du Qifeng, and also the best work of Wu Zhenyu. With this film, Wu Zhenyu won the Golden Horse best actor, Zhang yaoyang won the Hong Kong Film Golden Bauhinia Award for best supporting actor, and Du Qifeng won the Golden Horse Award for best director and the Hong Kong Film Awards for best director. Galaxy image has also become a representative company for shooting Hong Kong Gangster Movies with this film. "Gunfire" marks a major breakthrough in gangster genre and action films. Between the scenes, there are many static scenes to show everyone's waiting. Due to the long static time, when a moving event (gunshot) occurs, the explosive force that changes from static to dynamic will come out. The hero's shape is different from the powerful image of Chow Yun Fat pony, founded by JohnWoo in the 1980s. He didn't wear a black coat or hold two guns, didn't turn around and shoot, didn't splash plasma, didn't jump and slow motion, and only had the calm and wonderful standing of the character. Each gunman appeared in a cold and isolated manner.
No.5 "sweet honey"
The Daze before the return in 1997 was like the choice of the fork in the road. In the year before this historical moment came, Chen Kexin's "sweet honey" was born and made great achievements in both art and commerce. It won ten awards including best film, best director, best actress and best supporting actor at the 16th Hong Kong Film Awards, and six awards including best film, best actress and best supporting actor at the 34th Taiwan Golden Horse Awards, which can be said to be an unprecedented success. Literary and artistic films have always been a type of Hong Kong films. In the early stage, there were famous predecessors such as Li CHENFENG and Qin Jian. After the 1970s, because of the prevalence of martial arts films, artistic films have always been difficult to become the mainstream. "Sweet honey" is a return to early literary and artistic films. It shows the process of history with a delicate and true psychological description.
No.4 ghost of a beautiful woman
The ghost of a beautiful woman has many stories for future generations to mourn. It represents the golden age of Tsui Hark. The imagination of genius rarely meets the taste of the market. Tsui Hark's "film studio" has become a brand. It is a face-to-face meeting of senior Wu Zhicheng Xiaodong on the stage. Although Cheng has directed films such as "the death of life" before, his directorial talent is widely known by the world. I think you must still remember the song "ten miles of Pinghu is covered with frost, inch by inch of green silk worries about the Chinese year, looking at each other at the moon shape, only envy mandarin ducks, not immortals." Infatuated men, gorgeous female ghosts, and the love between two hearts is difficult to achieve, so they have to say goodbye. When Wang Zuxian and Zhang Guorong are both full of ink hatred, they are lingering, and work together to write a song that people and ghosts can't sing.
No.3 Dahua journey to the West
It was the most classic work of Stephen Chow and also the most classic work of Liu Zhenwei, but the film was not popular at that time. The box office failed and the comments were cold. Therefore, Liu Zhenwei was discouraged and left Canada. Until two years later, "journey to the west" became popular in the mainland, Stephen Chow was called a master of postmodern deconstruction, and Liu Zhenwei was also named the director of the generation of masters of postmodern films. "Journey to the west" is not only a turning point for Stephen Chow, but also a turning point for Liu Zhenwei. Liu Zhenwei finally "spit out a bad breath at the box office", and Stephen Chow swept the film circles in Hong Kong, the mainland and Taiwan with this film, becoming the representative of "Wulitou" culture. And Liu Zhenwei's line that he dared not say love just to laugh at Wong Kar Wai has also become a classic. What really makes "journey to the west" a classic is a lie. Because it's not someone else that the lie finally deceives, but the man who told the lie at the beginning.
No.2 the true story of Alfie
The most sensational film in Hong Kong's cultural circles in 1991 was Wong Kar Wai's "the true story of ah Fei". Although the box office performance was average, Wong Kar Wai's unique film style was undoubtedly highlighted in this film, which announced the emergence of Hong Kong's first international film master.
99reel watch 99reel.com: Find Where to Watch Hottest Movies and TV Series Online Movies and TV Series Online read more The true story of a Fei is a local film that reflects on Hong Kong's identity. The story is set in the early 1960s, but it reflects the tired souls of people in the 1990s. The image and narrative method of "a Fei Zheng Zhuan" are original, which can be called a wonderful work of Hong Kong film art. In the end, a "monologue" by Tony Leung Chaowei has been regarded as a classic so far.
No.1 the true colors of Heroes
The image of brother pony in the play can be said to be the coolest representative of that era.
"Heroes are true" has made two men, one is Chow Yun fat, who is called the box office poison, and the other is JohnWoo, who is called the film without film to shoot. Two frustrated men came together, and with the help of Xu laoguai, a classic film was born. "True colors of heroes" carries forward the way of gunfight, which represents the highest achievement of gunfight films in Hong Kong and the world.